Theme for this year's Eco-Arts Week: Thinking in Cycles

Producers: Maxine Leu & Emilie Houssart

Trees release oxygen; we breathe it in. We breathe out carbon dioxide; trees absorb it for their needs. A walk in the forest is a reciprocal act. This year's theme aims to raise consciousness about where the things we need come from, who might need them when we have finished with them, and how we can be part of cycles that are mutually beneficial. 

The D.R.A.W. is hosting a week of arts-driven exploration into sustainability through workshops, lectures, and exhibits for the community. Participants will have the chance to interact with a wide range of artists and community members who work with minimal harm and reciprocity in mind. How do our actions affect other humans and other species - visible and invisible? What contributes to our thriving, and how can we contribute to interspecies thriving? How can we make sustainable decisions that lower our impact on our environment and create a healthier planet and community? Many of the solutions may be closer to home than you think!

Interested in a workshop? Don't forget to register! Participation is FREE, with limited space!

Eco Arts 24-Mary Mattingly
  • Date/ Time: Friday 7-8pm, Apr. 19

    Location: The Ulster County Restorative Justice and Community Empowerment Center @ 733 Broadway, Kingston NY

    Keynote Presentation:

    Mary Mattingly will share ecologically-focused artworks that model ecosystems and the power of art to model alternatives focusing on the Swale project, a floating food forest, and the effects the project had on New York City Parkland.

    Keynote speaker: Mary Mattingly, @marymattingly, www. marymattingly.com

    Mary Mattingly builds sculptural ecosystems that prioritize access to food, shelter, and clean water. In 2017, Swale, a floating sculpture and edible landscape on a public barge in New York, inspired the New York City Parks Department to establish the city's first public "foodway." The foodway is a public space where people can legally forage in a city where it is otherwise publicly prohibited. Mattingly's work frequently activates public spaces and has also been exhibited at institutions such as Storm King Art Center, the International Center of Photography, Seoul Art Center, the Brooklyn Museum, Palais de Tokyo, Barbican Art Gallery, and Museo Nacional de Bellas Artes in Havana. Notable grants include those by the James L. Knight Foundation, the Harpo Foundation, New York Foundation for the Arts, the Jerome Foundation, and the Art Matters Foundation. Mattingly is a 2023 recipient of a Guggenheim Fellowship.

  • Sat. 10am-1pm, April 20 at DRAW Studio

    Workshop:

    Paper Possibilities Palooza will teach participants how to make hand-made paper from recycled materials using household objects. This workshop will include learning to make paper pulp, pulling sheets of paper and embellishing sheets with natural materials and textures. Participants will leave with a broad understanding of the possibilities of handmade paper. Our workshop will include a thorough presentation about selecting, collecting and processing fibers for paper. We will demonstrate how to make a mold and deckle from up-cycled or thrifted picture frames, mesh, and tape. Participants can pull sheets of paper, or dabble with the casting abilities of pulp. In an era of “going paperless,” most of us find ourselves still flooded with junk mail, coupons, and print-outs. Our workshop explores a creative reuse discussion on the artistic benefit of handmade paper.

    Teaching Artist: Erin Dougherty, @erin.doug & Rachel Gee, @rmgee.art

    Erin Dougherty is a Kingston-based sculptor and fiber artist exploring compassion and resilience. She is the Studio Arts shop manager at Bard College at Annandale-on-Hudson, New York. She was a founding student member of the Department of Regional Art Workers (DRAW) Kingston, an alumna of SUNY New Paltz Sculpture, and recipient of the Samuel Dorsky Museum “Next Generation award.”

    Rachel Gee is an interdisciplinary artist living and working in the Hudson Valley. She recently graduated from SUNY New Paltz with a BFA in Sculpture. Her current body of work explores handmade cast paper to make biologically inspired sculptures that honor non-human intelligence through exploring decay and new life.

  • Sat. 2-5pm, April 20 at Neighborhood Print Studio

    Workshop:

    Join Maxine Leu for a Tetrapak Printmaking workshop. This workshop will encourage people to think about our connection to our environment. Participants will be introduced to the “6 R’s,” a list of eco-friendly tips that touch upon issues of environmental waste. Following this, students will learn Intaglio and monotype printmaking techniques that will allow them to imprint the shapes and textures of their Tetrapak onto paper.

    Teaching Artist: Maxine Leu, @maxineleu , www.maxineleu.com

    Maxine Leu is an interdisciplinary artist, art educator, and environmentalist from Taiwan. Her work focuses on the environment, communication, and identity. Leu has been promoting several workshops about upcycling and recycling that have been inspired by concerns over global warming, waste production, and other environmental issues.

  • Sun. 10am-1pm, April 21, at Neighborhood Print Studio

    Workshop:

    In the Weaving with Waste workshop, participants will learn how to use textile waste materials in new ways, while focusing on learning basic weaving properties and construction.

    The workshop will create a stimulating environment as we learn how to weave, while finding out more about reducing textile waste and the implications of the overconsumption of clothing and textiles on intricate ecosystems. Participants will leave the workshop with one or two woven textile samples.

    Teaching Artist: Sariah Park, www.sariahpark.com

    As a mixed-race interdisciplinary artist of Indigenous and European heritage, Sariah Park's work challenges the status quo of making and asks important questions regarding consumerism, post colonialism and societal waste. With over nineteen years of experience in fiber, print, and fashion design, she has a unique perspective as an artist, entrepreneur, and educator. Her work has been featured in Hyperallergic, the Wall Street Journal, Women’s Wear Daily, Vogue, Elle, and Harper’s Bazaar. She received a Pollock-Krasner Fellowship in 2019, as well as artist grants from Creative Capital, Foundation for the Arts, and the CERF+. She is an enrolled citizen of the Chiricahua Apache Nation and her current research is focused on Indigenous Studies, de-centering whiteness within fashion and the development of sustainable and Land-based practices for textile, fine art and fashion production. Her most recent body of work features the up-cycling and repurposing of dead stock and damaged printed textiles into new forms, and printing with waste to create large-scale works on paper.

  • Sun. 2-5pm, April 21, at DRAW Studio

    Workshop:

    Learn about the nutritional benefits of eating sprouts and create your own chia pet sculpture out of clay. Participants will learn how to make a small sculpture using handbuilding techniques, and will be shown how to apply the chia sprouts to a fired sculpture in this workshop. The chia pet sculptures will be fired and ready for pick-up the following week at The D.R.A.W.

    Teaching Artist: Karen Jaimes, @Kj_ceramics , www.kjclay.com

    Karen Jaimes is a ceramic artist, activist, and educator based in Orange County, NY. Her sculptures and installations address socio-political issues and are designed to inspire social engagement. She is interested in the agency objects have and their ability to transcend time, boundaries, and hierarchies. Jaimes invokes the rich visual language of her ancestors to continue the practice of creating social commentary through art. She focuses on themes of immigration, exploitation, and indigenous ideology to raise awareness and create a positive impact on the world. By adopting indigenous practices, we can begin to heal our planet. Karen teaches ceramics at SUNY Rockland and is a small business owner.

  • Mon. 6-9pm, April 22, at DRAW Studio

    Workshop:

    Plant Cycles - The Infinite Energy is a lecture highlighting plant cycles from seed to fruit, the importance of understanding the life of plants, and how we can best use plants in all their stages. We will learn to care for our plants. We will then take this information about caring for nature and learn to use this same practice in caring for ourselves. We will plant seeds and decorate pots, then we will end with a movement and drumming workshop to lift the spirits up and have fun.

    Teaching Artist: Farmer Nick/ PK Organics, @Pershing_King

    Nick Jackson is a Poughkeepsie Native who helped start Pershing Ave Farm and Gardens alongside Scenic Hudson and other partners/stake holders in the city of Poughkeepsie. The Farm provided fresh free produce to the residents in the northside of PK along with after school programing, gardening workshops, and harvest festivals. Nick started farming after cooking for 12 years because he saw a need of supplying healthy options to his people. His has started PK organics as an agriculture educator, distributor, and food justice advocate. When Nick is not farming his is dancing with his crew Nabless Machina and PsiFire flow and has Rhythm of water media focusing on dance, and media arts.

    Today Nick has a non-profit called PK Organics, where he teaches and trains youth and adults on urban/rural agriculture. Herb and Flower cultivation, art creation with natural resources. Self-Sustaining Practices like foraging, bush-craft, and survival skills. As well as marketing and distribution of aftermarket products like Jams and Sauces.

  • Tue. 6-9pm, April 23, at DRAW Studi

    Workshop:

    This workshop offers a brief introduction to the practice of Deep Listening®, the heightened awareness of sound and sounding. This workshop will focus on the practice’s concept of receiving and sending sound through an exploration of Pauline Oliveros’ text score compositions. Lisa will share how Deep Listening informs her life and work, creatively and professionally. Workshop exercises include energy/body awareness, meditation and creative play. Musical experience is not necessary, all are welcome to explore.

    Teaching Artist: Lisa B Kelley, @lisa.b.kelley

    Lisa Barnard Kelley is an experimental vocalist, improviser and transdisciplinary artist residing in Kingston, NY. Steeped in traditional theater, Deep Listening practice, vocal and performance studies, Lisa’s performances and writing explore womanhood, grief and loss, dreams and the confluence of self in nature and the cosmos.

  • Wed. 6-9pm, April 24, at DRAW Studio

    Workshop:

    Mushrooms are an excellent alternative source for papermaking. The workshop will start with an introduction to how fungi can provide artists with various mediums. We will learn about the history of mushroom papermaking, and how it differs from cellulose-based paper. During the hands-on part of the workshop, we will dive into different papermaking techniques and assemblages. Mushroom teas will be served throughout the workshop. All materials included.

    Teaching Artist: Roberta Trentin, @bluesprucewanderings, www.robertatrentin.com

    Roberta Trentin is a multidisciplinary artist who works in collaboration with the materials and the unknown outcomes. Her work explores overlooked stories of fungi and plants in the more-than-human world. Roberta has been experimenting with mushroom paper for the past two years. With her practice she hopes to provide artists with an alternative and regenerative material that protects the forests from extractive processes. Roberta splits her time between the forests of the Hudson Valley and Brooklyn.

  • Thu. 6-9pm, April 25, at Neighborhood Print Studio

    Workshop:

    What do trees and bees have in common? Join SUNY New Paltz Sculpture faculty Emily Puthoff and Michael Asbill for a spoon carving workshop that explores this essential relationship. Cross-pollinate in conversation, learn how to carve a honey dipper using a foraged, recently fallen red maple and discover how we can all support pollinators.

    Teaching Artist: SUNY New Paltz Sculpture, @npsculpture: Emily Puthoff, @hvbees & Michael Asbill. @michaelasbill

    Emily Puthoff is a Sculpture Professor at SUNY New Paltz and Co-Director of the Hudson Valley Bee Habitat, an arts-forward pollinator conservation organization based in Kingston, NY.

    Michael Asbill weaves community engagement and environmentalism into his installation and public art practice. His work, produced mostly in collaboration with others, holds space, opens channels, and constructs platforms for creative action. Michael is an assistant professor in the Sculpture program at SUNY New Paltz.

  • Sat. 10am-1pm, April 27, at DRAW Studio

    Workshop:

    We will use flowers, leaves, roots, tree shavings, and even food waste to create a vibrant rainbow of color on fabric. We will make fabric samples with different textiles and you will dye your own silk scarf to take home and wear. You will learn how to prepare fabric for dyeing, which textiles work best, how to create a dye vat, and different tie-dye techniques to achieve various designs.

    Natural dyes are a beautiful lens through which to explore our relationship to the clothing we wear every day and our relationship to the natural world. As we relax and create vibrant vats of color from local flowers and leaves, we can simultaneously peer more deeply into the conventional fashion system we purchase from without question. There will be a brief discussion about chemical dyes and the global fashion system.

    Teaching Artist: Susanna Taylor, @flower.dye, www.flowerdye.blue

    Susanna is a mother, designer, artist, gardener, herbalist and lover of the earth residing in Kingston, NY. At the root of every endeavor is her desire to connect humanity, and herself, back to the earth. Her company Flower Dye is the culmination of many years of working in fashion and learning about natural dyes, including learning from local basket weavers in the Amazon jungle how colors are made with native plants, studying natural color in Oaxaca, Mexico with Zapotec rug weavers, studying fashion design in Paris, working in the design world in NYC and SF.

    She is currently a full time mom of a toddler and running Flower Dye on the side, teaching local workshops, growing medicine and plant dyes in her garden and apprenticing in programs for plant medicine and earth magic.

  • Sat. 2-5pm, April 27, at DRAW Studio

    Workshop:

    This workshop will illuminate the importance of wool, from sheep farmers to our homes. We will look at several projects working with wool in classrooms and with the community. We will learn the wet felting process, create our own design, and finish a piece that can be taken home with you!

    Sheep were among the first animals to be domesticated by humans. Domestic sheep have been used for three basic human needs since around 10,000 BC: food, clothing, and shelter.

    Natural fiber wool is considered the most effective form of all-weather protection and no synthetic fiber can compete with its performance. Wool is eco-friendly, biodegradable and renewable. Wool felt is one of the oldest known textiles. Felt is a textile made by matting, compacting, and pressing fibers together.

    Teaching Artist: Brigitta Váradi, @brigitta.varadi, www.brigittavaradi.net

    Brigitta Váradi is a multimedia artist whose work explores the relationship between tradition, craft, and everyday rituals. Through research, experimentation, and labor-intensive processes, she investigates themes of material culture and sustainability in an age of globalization and mass consumption.Váradi is a 2021 NYSCA/NYFA Artist Fellow in the Interdisciplinary category, has been awarded residencies at MacDowell, Peterborough, NH; the Museum of Arts and Design, New York, NY; Civitella Ranieri Foundation, Umbria, Italy. Brigitta works on commissions and exhibitions and develops projects with people of all ages and abilities in the community sector, schools, prisons and arts centers.

  • Sun. 10am-1pm, April 28, at Neighborhood Print Studio

    Workshop:

    Join us for a playful, interactive soil and compost workshop! Briana Gary (environmental educator, YMCA Kingston) and Emilie Houssart (artist, The DIRT Project) collaborate to bring you a creative and hands-on exploration about the language, psychology and physicality of earth. Participants will explore their own relationships with the ground as we examine what it means to be part of an ecosystem; then learn all about composting, including how to make compost in your home or backyard. Be ready to open your mind and get your hands dirty.

    Teaching Artist: Briana Gary, @yfarmkingston & Emilie Houssart, www.emiliehoussart.com, @emiliehoussart, @_thedirtproject_

    Briana Gary is the Conservation Pathways Coordinator at the Kingston YMCA Farm Project. Briana first joined the farm in 2017 as a youth crew member and has since worked with the farm throughout the years. Through the farm she discovered her passion for environmental conservation and sustainability. She attended Suny New Paltz and holds a bachelors in Geography. In 2021 she served with Americorps in Central Idaho where she worked on a nature preserve further deepening her love for the natural world. Briana’s main role at the farm is to create pathways for youth to discover the environmental conservation field.

    Emilie Houssart is a Dutch American artist and curator based in the Hudson Valley who explores inherited systems of food and land. With a practice based in absurdist performance and living sculptural installations, she creates spaces to collaboratively reimagine success. Through The DIRT Project, she holds interactive workshops and art-based experiences for all ages that invite play with earth, linguistics and identity, nurturing our relationships with invisible life forms inside the body and underfoot. Houssart teaches at SUNY New Paltz and is Artistic Director at Unison Arts.

  • Sun. 2-5pm, April 28, at DRAW Studio

    Workshop:

    In this workshop, Aurora De Armendi Sobrino will invite participants to explore the creation of a book structure inspired by their most significant memories of trees. The workshop will be divided into two parts. The first section will consist of a creative exercise to remember and brainstorm together experiences we have had with trees such as memories, stories, sensations, and feelings. The intention for the second section is to take these reflections and incorporate them into personalized book design using recycled materials.

    Teaching Artist: Aurora De Armendi Sobrino

    Aurora De Armendi Sobrino is an artist and educator currently teaching at SUNY New Paltz as Assistant Professor in the Printmaking Area. Before accepting this position, Aurora worked as a Master Printer at Two Palms, in NYC and taught at Parsons The New School and Cooper Union. Through a balance of scholarly and material research, her work has taken the form of artist books, prints, and ceramics and it has been exhibited at venues such as Wave Hill Garden, the International Print Center (NY), Center for Book Arts in NYC, Instituto Cervantes (NY), San Francisco Center for Book Arts, Minnesota Center for Book Arts, Fototeca de Cuba, among others

    Currently, she keeps a drawing practice and is working in multiple projects exploring our human experience focusing on belonging, rescuing, and protecting cultural traditions, and bringing awareness to our interconnectedness with other species and nature.

Sponsor:

With thanks to National Endowment for the Arts, Radio Kingston, Bailey Pottery, TD Bank, New York State Council on the Arts, Restorative Justice, Julie Noble at Environmental Education & Sustainability Coordinator and Climate Smart Community Coordinator for the City of Kingston.